Gerardo Cruet (who created the recordings) spread the genre from the marginalized residential areas into other sectors of society, particularly private schools.Д«y the mid-1990s, 'underground' cassettes were being sold in music stores.

The most popular cassettes in the early 1990s were DJ Negro's The Noise I and II and DJ Playero's 37 and 38. The availability and quality of the cassettes led to reggaeton's popularity, which crossed socioeconomic barriers in the Puerto Rican music scene. Despite being recorded in housing projects, most of the marquesinas were good quality (which helped increase their popularity among Puerto Rican youth of all social classes). Marquesinas were often in public 'housing complexes such as Villa Kennedy and Jurutungo'. The marquesinas were crucial to the development of Puerto Rico's underground scene because of the state's 'fear of losing the ability to manipulate 'taste ''. 'Underground' music was recorded in marquesinas (Puerto Rican carports) and distributed in the streets on cassettes. These themes, depicting the troubles of inner-city life, can still be found in reggaeton. The new genre, simply called 'underground' and later 'perreo', had explicit lyrics about drugs, violence, poverty, friendship, love and sex. The genre's popularity increased when it was discovered by international audiences during the early 2000s. Bootleg recordings and word of mouth became the primary means of distribution for this music until 1998, when it coalesced into modern reggaeton. The Puerto Rican police launched a campaign against underground music by confiscating cassette tapes from music stores under penal obscenity codes, levying fines and demonizing rappers in the media. As a youth culture existing on the fringes of society and the law, it has often been criticized. This created an inconspicuous-yet-prominent underground youth culture which sought to express itself.

As Caribbean and African-American music gained momentum in Puerto Rico, reggae rap in Spanish marked the beginning of the Boricua underground and was a creative outlet for many young people. DJ Playero and DJ Nelson were inspired by hip hop and Dancehall to produce ' riddims', the first reggaeton tracks. It became known as 'underground' music, due to its circulation through informal networks and performances at unofficial venues. Often mistaken for reggae or reggae en EspaГ±ol, reggaeton is a younger genre which originated in the clubs of San Juan, Puerto Rico in 1991. Daddy Yankee is known as the ' King of ReggaetГіn'.

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